Artist Spencer Tunick has been documenting the live
nude figure in public, with photography and video, since 1992.
Since 1994 he has organized over 75 temporary s
Since 1994 he has organized over 75 temporary s
ite-specific installations in the United States and abroad.
Tunick’s installations encompass dozens,
hundreds od thousands of volunteers; and his
photographs are records of these events.
The individuals en masse, without their
The individuals en masse, without their
clothing, grouped together metamorphose into
a new shape. The bodies extend into and upon
the landscape like a substance.
These grouped masses which do not under
These grouped masses which do not under
core sexuality become abstractions that challenge
or reconfigure one’s views of nudity and privacy.
The work also refers to the complex issue of
presenting art in it pernament or temporary public spaces.
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